Reading Room Bibliography

Nick Aikens, Teresa Grandas, Nav Haq, Beatriz Herráez, Nataša Petrešin-Bachelez (eds.), The Long 1980s: Constellations of Art, Politics and Identities (Amsterdam: Pia Pol, Astrid Vorstermans/Valiz, L’Internationale, 2018)

Roy Armes, African Filmmaking North and South of the Sahara (Edinburgh: Edinburgh University Press, 2006)

Awotele, no. 6 (2017)

David A. Bailey (ed.), Ten: Critical Decade: Black British Photography in the 80s, vol. 2, no. 3 (Spring 1992)

Imruh Bakari, The Madman in this House (Grewelthorpe: Smokestack Books, 2021)

Imruh Bakari, Without Passport or Apology (Grewelthorpe: Smokestack Books, 2017)

Imruh Bakari, Mbye B. Cham, African Experiences of Cinema (London: British Film Institute, 1996)

James Baldwin and Raoul Peck, I Am Not Your Negro (UK: Penguin, 2017)

Françoise Balogun, Le Cinéma au Nigeria (Brussels: OCIC, 1984)

Olivier Barlet, African Cinemas: Decolonizing the Gaze (London: Zed Books, 2000)

Lizelle Bisschoff and David Murphy (eds.), Africa's Lost Classics: New Histories of African Cinema (London: Routledge, 2014)

Black Camera, vol. 1, no. 1 (Winter 2009)

Black Camera, vol. 3, no. 1 (Winter 2011)

Black Camera, vol. 6, no. 2 (Spring 2015)

Black Camera, vol. 7, no. 1 (Fall 2015)

Black Camera, vol. 11, no. 1 (Fall 2019)

Black Camera: African Cinema: Manifesto & Practice for Cultural Decolonization. Part 1: FESPACO: Formation, Evolution, Challenges, vol. 12, no. 1 (Fall 2020) 

Black Camera: African Cinema: Manifesto & Practice for Cultural Decolonization. Part 2: Colonial Antecedents, Constituents, Theory, and Articulations, vol. 12, no. 2 (Spring 2021)

Black Camera: African Cinema: Manifesto & Practice for Cultural Decolonization. Part 3: The Documentary Record: Declarations, Resolutions, Manifestos, Speeches, vol. 13, no. 1 (Fall 2021)

Black Camera, vol. 13, no. 2 (Spring 2022)

Black Film Bulletin, vol. 1, issue 1 (Spring 1993)

Black Film Bulletin, vol. 1, issue 2 (Summer 1993)

Black Film Bulletin, vol. 1, issue 3/4 (Autumn/Winter 1993/94)

Black Film Bulletin, vol. 2, issue 1 (Spring 1994)

Black Film Bulletin, vol. 2, issue 2 (Summer 1994)

Black Film Bulletin, vol. 2, issue 3 (Autumn 1994)

Black Film Bulletin, vol. 3, issue 1 (Spring 1995)

Black Film Bulletin, vol. 3, issue 2/3 (Summer/Autumn 1995)

Black Film Bulletin, vol. 2, issue 4 (Winter 1995)

Black Film Bulletin, vol. 4, issue 1 (Spring 1996)

Black Film Bulletin, vol. 4, issue 2 (Summer 1996)

Black Film Bulletin, vol. 3, issue 4 (Winter 1996)

Julie Dash, with Toni Cade Bambara and bell hooks, Daughters of the Dust: The Making of an African American Woman's Film (New York: The New Press, 1992)

Carole Boyce Davies (ed.), Claudia Jones: Beyond Containment (Banbury: Ayebia Clarke, 2011)

Mahen Bonetti, Through African Eyes: Volume 1: Dialogues with the Directors (New York: Africa Film Festival, 2003)

Mahen Bonetti, Through African Eyes: Volume 2: Conversations with the Directors, (New York: Africa Film Festival, 2010)

Chimurenga, FESTAC '77 (London: Thames & Hudson, 2019)

Tsitsi Dangarembga, Black and Female (London: Faber & Faber, 2022)

Stephanie Dennison, Lúcia Nagib, Lisa Shaw (eds.), Framework, vol. 44, no. 1 (Spring 2003)

Manthia Diawara, African Cinema: Politics & Culture (Bloomington, IN: Indiana University Press, 1992)

Ecrans d'Afrique, Tribute Djibril Diop Mambéty, no. 24 (Second Semester 1998)

Hyginus Ekwuazi, Film in Nigeria (Trenton: Africa World Press, 2018)

Frantz Fanon, Black Skin, White Masks (New York: Grove Press, 1967)

Fernando Ganzo, Black Light: A Retrospective on International Black Cinema (Bordeaux: Capricci, 2019)

Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness (London: Verso, 1999)

June Givanni (ed.), Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image (London: Palgrave Macmillan, 2011)

Ros Gray, Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968-1991 (African Articulations), (Suffolk: James Currey, 2020)

Lee Grieveson and Colin MacCabe (eds.), Film and the End of Empire (Cultural Histories of Cinema), (London: British Film Institute, 2011)

Kenneth W. Harrow (ed.), African Filmmaking: Five Formations (East Lansing, MI: Michigan State University Press, 2017)

Marie-Hélène Gutberlet and Brigitta Kuster (eds.), 1970–2018 Interviews with Med Hondo (Berlin: Archive Books, 2019)

Stuart Hall, Writings on Media: History of the Present, ed. By Charlotte Brunsdon (Durham, NC: Duke University Press, 2021)

Julian Henriques, David Morley and Vana Goblot (eds.), Stuart Hall: Conversations, Projects, and Legacies (London: Goldsmiths Press, 2017)

Darlene Clark Hine, Trica Danielle Keaton, Stephen Small (eds.), Black Europe and the African Diaspora (Urbana, IL: University of Illinois Press, 2009)

Med Hondo and others, On the Run: Perspectives on the Cinema of Med Hondo (Berlin: Archive Books, 2020)

Isaac Julien and Colin MacCabe, Diary of a Young Soul Rebel (London: British Film Institute, 1991)

John King, Ana M. López, Manuel Alvarado, Mediating Two Worlds: Cinematic Encounters in the Americas (London: British Film Institute, 1993)

Spike Lee, Five for Five: The Films of Spike Lee (New York: Stewart, Tabori and Chang, 1991)

Kobena Mercer (ed.), Exiles, Diasporas and Strangers (Annotating Art's Histories) (London: Iniva; Cambridge, MA: MIT Press, 2008)

David Morley, Kuan-Hsing Chen (eds.), Stuart Hall: Critical Dialogues in Cultural Studies (London: Routledge, 1996)

Amber Murrey (ed.), A Certain Amount of Madness: The Life, Politics and Legacies of Thomas Sankara (London: Pluto Press, 2018)

Suniti Namjoshi, The Conversations of Cow (London: The Women’s Press, 1985)

Marilyn Nance, Last Day in Lagos (Johannesburg: Fourthwall Books, 2022)

Courttia Newland and Kadija Sesay (eds.), IC3: The Penguin Book of New Black Writing in Britain (UK: Penguin, 2021)

Onyeka Nwelue, The Abyssinian Boy (New York: Abibiman Publishing, 2022)

Clive Nwonka and Anamik Saha, Black Film British Cinema II (London: Goldsmiths Press, 2021)

Herman Ouseley, Belonging: Fate and Changing Realities (Hertford: Hansib Publications, 2021)

Gordon Parks, Voices in the Mirror: An Autobiography (New York: Doubleday, 1990)

Raoul Peck, Stolen Images (New York: Seven Stories Press, 2012)

Françoise Pfaff (ed.), Focus on African Films (Bloomington, IN: Indiana University Press, 2004)

Jim Pines and Paul Willemen, Questions of Third Cinema (London: British Film Institute, 1989)

Emma Ridgway, Courtney J. Martin, Sonia Boyce: Feeling Her Way (New Haven: Yale University Press, 2022)

Walter Rodney, Poetic Tributes (London: Bogle, L’Ouverture Publications, 1985)

Arundhati Roy, The God of Small Things (London: Flamingo, 1997)

Thomas Sankara, Women's Liberation and the African Freedom Struggle (New York: Pathfinder, 2021)

Bill Schwarz (ed.), West Indian Intellectuals in Britain (Manchester: Manchester University Press, 2003)

David Scott (ed.), Small Axe, vol. 19, no. 1 (46) (2015)

Osange Silou, Le Cinéma dans les Antilles françaises (Brussels: OCIC, 1991)

Alexie Tcheuyap, Postnationalist African Cinema (Manchester: Manchester University Press, 2011)

Melissa Thackway, Africa Shoots Back: Alternative Perspectives in Sub-Saharan Francophone African Film (Bloomington, IN: Indiana University Press, 2003)


Third Text, vol. 12 (Autumn 1990)

XII. Black International Cinema 1993–1997 (Berlin: Fountainhead, 1997)